Book Review: katz - A Biographical Commentary (book by Peter Brock)
Book Review: katz - Ben Israel: The Early Years: From Flatbush to the Burning Bush by Peter Brock (reviewed by Tom Quinlan)
If you are reading this blog, there is a decent chance that you already know that over the years I have been deeply impacted by the late Art Katz (1929-2007). One of my more popular blog entries attempts to describe that impact. This probably exempts me from being able to write ANY review regarding Art that is not biased in favor of him.
This book was published what seemed like mere days after Art's death (but was in the works for a considerable time before that). While I was hungry for material by and about Art, I was not drawn to the book and resisted a purchase based very much by its cover and by what I felt when looking at the pictures and quotes from the book highlighted on author Peter Brock's own web site The Art Katz Story. The all black/blood-red color scheme of both the book's cover and it's promotional web site, coupled with using only photos that have an ominous, over-posterized look, communicated a nauseous feeling that I had never associated with Art.
A year or so after the book was published, I discovered and succumbed to reading the portions of the book that were posted on the Google Books site, and I was pleasantly surprised at how generously Brock was with including large portions of transcribed messages from Art's ministry over the decades. Reading those excerpts stirred me in the inner man, as has been so common an experience listening to Art's messages over the past two decades. But whenever the author allowed himself to interpret events, and Art's motives, there was an inevitably tangible distrust of Katz. The subjects of Art Katz and Ben Israel, (the Christian community Art helped start in the 70's) appeared to be something that had occupied and maybe even bothered the author for YEARS (33 years according to the book's introduction). Since large portions of the book were missing from the Google site I felt like a jury only allowed to hear small portions of the evidence and only by hostile witnesses.
In December 2008, a Christian brother made a comment to my Online Journal entry regarding Art and he asked if I had read this book. My response was very similar to what I just expressed in the preceding paragraph. A few months later, ostensibly because of those comments about the book, I was contacted via email by Peter Brock himself. He was very pleasant, and offered to send me the book at his own expense. (Peter, for that I offer here a public "thank you.") I interpreted that as an invitation from the Lord Himself to read the book and fully digest it's perspective, whether or not I found it desirable.
Brock's credentials to write the book (besides his profession as a journalist) are his own participation in "phase one" of the Ben Israel community in the late 70's and early 80's, that included some traveling with Art on his speaking tours. The 35 years that Art himself lived at Ben Israel were divided by a couple of years in the mid 1980's when the community was disbanded and dispersed in an uncertainty that it would ever come to life again. Brock obtains his knowledge of the 2nd phase from the community's newsletters and other research.
When I first received the book I was greatly relieved that it contained no pictures other than the cover photo, as I cannot overstate how much the photos on the book's website repulsed me. Before the book was sent to me, Peter insisted that I begin with the "Epilogue", that is, the last few pages of the book. I was happy to oblige, but it made me wonder why those pages were at the end of the book if they were so important.
The following is the last line of the book:
"I think of some words used by Dietrich Bonhoffer and Paul the apostle, and want to say about Art Katz: 'Look what a wonderful man was living with us on the earth.'"
In the Acknowledgements at the beginning of the book Brock says:
"Of course, much gratitude is due the man himself and the breakneck, driving insatiable race that he ran. Who is not breathless again reviewing and reflecting on the plenteous bounty of the Art Katz legacy that remains?"
These two statements are among the few sympathetic statements regarding Katz that you will find in the book. I speculate therefore that Peter was attempting to have me discover his positive assessments of Katz before delving into the decidedly less flattering material contained within.
The first hundred pages of the book chronicle Art's first 34 years as an unbeliever, drawing heavily upon Art's own book, Ben Israel, the journal of his mid-life crisis and search for meaning that ended with an encounter with the Lord in Jerusalem. Brock's book however starts much earlier in Art's life than the Ben Israel chronicle. I would have liked to know where Brock obtained these early details, whether from interactions with Art himself or some other source. Having re-read Ben Israel myself recently (over twenty years after my first reading), I was taken aback at the amount of "unseemly" material included in that book that had not bothered me when I read it as a young Christian. Brock openly laments the toning down of that material in subsequent printings of the Ben Israel book, and is therefore not surprisingly very liberal with his own additional "spicy" anecdotes.
Unlike the Bible, which reports the defects of it's "heroes" tersely (such as the account of King David's adultery) this account seems to relish somewhat in the recollection of it. I would expect Spirit-filled believer's to be uncomfortable enough reading such accounts to consider abandoning the book early on.
As the book progresses to the days of ministry, beginning a decade or so after Art's conversion, Brock quotes generously from the actual messages spoken by Katz and occasionally provides helpful summaries of the themes Art presented at various times. Those quotations are, in my view, the most redeeming portions of the book. There are some genuinely interesting nuggets scattered about, such as the account of Art weeping profusely after learning of the death of his brother Lenny.
In the second and third sections of the book, the accounts sometimes move back and forth from the 1990's-2000's "Ben Israel II" era back to the 1980's era that Brock experienced. I found the switch to be confusing, but that could be partly due to the fact that I did some skipping back and forth myself.
As Brock recounts the history of the early community life, which he tasted personally, the names of all the persons involved in that community have been changed to avoid "embarrassment and misunderstanding." In retrospect I think it is safe to say that neither of those stated goals were accomplished.
Throughout the book, when Brock inserts his own commentary and observations, it is almost always from a perspective of bitterness and condescension, perhaps returning what he felt from Art: "We endured the Katzophrenic twists and turns, the habitual suspicion and outbursts..." Additionally the reader should expect a frequent if not continual examination of observed discrepancies between the man and his message. As I write this the follow admonition comes to mind:
Not many of you should presume to be teachers, my brothers,
because you know that we who teach will be judged more strictly. James 3:1
Anyone aspiring to a ministry such as Art's will think twice after reading this book as Brock brings an intense scrutiny. Those looking to learn more about a man they admire will no doubt have the wind knocked out them, as Peter uncorks his own disappointment after disappointment regarding Art. Most painfully, Brock saves a little bombshell of insinuation for the last page, offering no details but leaving the reader to imagine the worst.
Brock warns of all this early in his own introduction:
Anyone who knew him knows of his oft-declared passion for truth in it entirety - without reservations or qualms, and with the bark on. If what follows is disagreeable, then let those who would take the initiative and provide additional and more approvable volumes. Katz left everyone a lot to think and talk about.
In conclusion, read it only if you must. It is not an enjoyable book and was apparently not intended to be.
Interestingly, since publishing the book, Peter has moved back to Ben Israel, now in a post-Art era. Art's wife Inger has recently released a "more approvable" volume of anecdotes about Katz called A Treasure in an Earthen Vessel. In her introduction she credits Peter with "editing" assistance.
Prospective readers of Peter's book would do well to have Inger's booklet close at hand to provide some much needed relief.


